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04: Photobooks


Visual Spaces of Today (MACK)
Andreas Gursky
Published for Fondazione MAST’s tenth anniversary, this catalogue marks the first Italian exhibition of Andreas Gursky. Known for his monumental, hyperreal images, Gursky captures the structures of globalization—from factories to financial centers—with striking precision. Featuring forty-one works and an essay by curator Urs Stahel, the book reveals Gursky’s sharp vision of contemporary production and consumption.

Exposures (Steidl & Museum of Contemporary Photography, Chicago)Barbara Probst
Barbara Probst’s Exposures series dismantles the illusion of photographic truth through a strikingly conceptual approach. Each work in the series captures a single moment from multiple viewpoints using synchronized cameras, revealing how radically perspective can alter perception. The result is a multi-panel presentation of the same instant, staged yet destabilizing—what we see is both real and unreal.


Valérie Belin (Damiani)Valérie Belin
Valérie Belin’s work explores the boundary between matter and the living, using light, texture, and precise staging to create images filled with ambiguity and absence. This volume presents her series from 2007 to 2016, including Fruit Baskets, Brides, and All Star, along with performance and exhibition documentation. Together, they reveal a photographic practice that blurs reality and illusion in striking, hyperreal compositions.


Modern Romance (St. Ann´s Press)David Levinthal
David Levinthal’s Modern Romance draws inspiration from film noir and Edward Hopper, staging moody urban scenes that feel both familiar and elusive. Faceless figures linger in shadowy settings—street corners, motel rooms, subways—inviting the viewer to step in as voyeur or narrator. Blurring reality and fiction, these images evoke solitude, desire, and the unsettling quiet of city life.


Drape Limited Edition Boxset (The Ravestijn Gallery)
Eva Stenram
The series ‘Drape’ shown here, consisting of a mixture of black & white and colour images, she manipulated vintage pin-up photos of women who had been photographed in front of an interior curtain or drape. Stenram digitally extended the curtains to conceal the head and the naked torso, whilst the legs and arms are still shown.


The Complete Papers (MACK)Thomas Demand
The Complete Papers is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces.


Carpe Diem (Hatje Cantz)
Frank Kunert
Following his illustrated volumes Topsy-Turvy World, Wonderland and Lifestyle, Carpe Diem reveals the contradictions of our existence—between euphoria and impending misery. Comedy and tragedy are closely intertwined in the work of model maker and photographer: Kunert leads us into a parallel universe that seems surreal yet strangely familiar. 



Constructed Realities: The Art of Staged Photography (Stemmle)Michael Kohler; Zdenek Felix; and Andreas Vowinckel
Since the early 1980s, there has arisen a distinctive genre of staged photography. Artists such as Sandy Skoglund, Cindy Sherman, Joel-Peter Witkin and Jeff Koons have redefined the traditionally accepted verities of photography, constructing surreal, futuristic, and metaphorical tableaux and then recording them with photographs.



Cindy Sherman
Cindy Sherman Anti-Fashion is the first to focus on this close engagement with fashion and approaches her photographic oeuvre from a new perspective. In so doing, it sheds light on the interplay between art and fashion.




Julie Blackmon
Blackmon constructs a captivating, fictitious world that is both playful and menacing. “I think of myself as a visual artist working in the medium of photography," Blackmon notes, "and my assignment is to chart the fever dreams of American life.”

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