Slow publishing
Deeper dialogue
Way of seeing


Publishing

2025

2024


2021
2018
Montana 1: Budapest by Chris Shaw
Montana 0: Carte Blanche by Suffo Moncloa
Walk To The Moon
17 8 176 8 6 (Evidences)

Explore

008
007
006
005
004
003
002
001
Dance
Landscape
Street
Staged Photography II
Staged Photography I
Home
Ritual
Nostalgia

Mentorship (coming soon)

Online
Guest Mentorship

01: Study

Jeff Wall, Morning Cleaning, Mies van der Rohe Foundation, Barcelona 1999
Transparency in lightbox
187 x 351 cm | 73 5/8 x 138 3/16 in.
206 x 370 x 26 cm | 81 1/8 x 145 11/16 x 10 1/4 in. (framed)
Image Courtesy: White Cube


Large Format Photography
Large format photography utilizes cameras that accommodate film or digital sensors measuring 4×5 inches (10.2×12.7 cm) or larger, with common sizes including 5×7 inches (12.7×17.8 cm) and 8×10 inches (20.3×25.4 cm). This substantial image area offers exceptional detail and tonal range, surpassing smaller formats. A distinctive feature of large format cameras is their capacity for movements—adjustments like tilt, shift, rise, and fall—that enable precise control over focus and perspective, facilitating advanced techniques such as correcting converging lines in architectural photography. While the equipment's size and the meticulous process may present challenges, the unparalleled image quality and creative flexibility make large format photography a revered choice among discerning photographers.

La Mort des Fantômes, René Magritte, 1928





Deana Lawson, Chief, 2019. Courtesy of the artist and Sikkema Jenkins & Co., New York(Image credit: Deana Lawson)  



Thomas Demand, Kontrollraum / Control Room 2011
C-print mounted on Diasec
78¾ × 118⅛ inches; 200 × 300 cm
Image Courtesy: Matthew Marks Gallery



Sally Mann, Rhonda on Swing with Kittens (At Twelve), 1983-1985 8 x 10 inch silver gelatin print



Sarah Jones, Horse (Profile) (Dapple Grey) (II), 2017/18, Image Courtesy Anton Kern Gallery
The cinematic lighting technique of ‘day for night’  merges the everyday with the space of dream. It offers a metamorphosis, a transition. … ‘Cascade’ comes from cascare, to fall. It implies being in between states, in suspension. The photograph holds this in liquid stasis, like amber.’

- Sarah Jones, Special Artist’s Project, Frieze online 2017





Sophie Ristelhueber. Because of Dust Breeding (A cause de l’élevage de poussière). 1991-2007

Large format photography requires patience, precision, and dedication. This issue features documentaries on Tina Barney and Ansel Adams—one capturing intimate staged portraits, the other grand landscapes. Despite their differences, both exemplify the physical and deliberate craft of the medium.


Original footage documenting the creative life of Ansel Adams this 1958 documentary revealing Adams' technical approach to photography, the cameras and related gear he carried to the field, and his thoughts on the artistic horizons of photography. Ansel Adams other passions was the piano, He plays the musical background.



Tina Barney (1945) lugs her large-format camera into the surrealistically posh homes of wealthy Europeans and comes away with astonishing images. Saturated with color and theatrically composed, her oversized photographs are as luxurious as their settings. The film details her creative and technical processes, explores the ramifications of her work, and succeeds as delicious entertainment in its own right.

Darkroom | Publishing | Workshop | Dialogue