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04: Photobooks
Family Ties (Aperture)Tina Barney
Tina Barney’s keenly observed portraits offer a window into a rarified world of privilege with sixty large-format works imbued with a spontaneity and intimacy that remind us of what we hold in common.

Jeff Wall (Hatje Cantz)Jeff Wall
On the occasion of Wall’s exhibition at the Fondation Beyeler, this catalogue showcases over fifty works, highlighting his fusion of staged photography, documentary aesthetics, and cinematic composition to construct intricate, fictional realities.


That´s Not Me (jrp)Rodney Graham
This new monograph gathers together works made between 1994 and 2017, in particular his photographic lightboxes and his musical production. Contradicting the title “That’s Not Me,” the lightbox series focuses on the use of the self-portrait. Graham shows himself starring in various fictional roles (artist, musician, actor, lighthouse keeper, paddler, reader) at different times.


Mise en Scene (Hausder Kunst)Stan Douglas
Stan Douglas: Mise en Scène highlights the artist’s exploration of modernism, politics, and cinema through his staged photography and film works. Featuring images from key series like Midcentury Studio and Disco Angola, along with new projects, the book offers insights into Douglas’s visual narratives and artistic influences.


Cathedral of the Pines (Aperture and Gagosian Gallery)
Gregory Crewdson
Published for Gregory Crewdson: Cathedral of the Pines at Gagosian, this book documents the 31-image series shot in Becket, Massachusetts. Blending staged photography with painterly influences, Crewdson’s work explores themes of isolation, intimacy, and the tension between art and life. Includes an essay by Alexander Nemerov.


Photographs 1997 - 2017 (MACK)Hannah Starkey
Hannah Starkey’s cinematic portraits explore women’s experiences and how photography shapes their representation. Blending documentary, fashion, and fine art, her work offers a flâneuse’s perspective on identity and interaction. This catalogue spans two decades, with essays by Charlotte Cotton and Liz Jobey.


Hustlers (Steidl)
Philip-Lorca diCorcia
¨In 1989, financed by a National Endowment for the Arts fellowship, Mr. diCorcia began his “Hustlers” project. He was stepping out into the world, away from his personal circle, to make the same kind of dramatic images. And while the subjects were now strangers, the procedure was almost as manageable as when he posed his relatives in Hartford.¨ By Arthur Lubow, New York Times



Half, Full, Quarter (Aperture)Tommy Kha
In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, “Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology.” 



Simmon: A Private Landscape (Akio Nagasawa)Eikoh Hosoe
Eikoh Hosoe stages the artist of situation Simon Yotsuya in the urban sites of Tokyo, making its performance in front of the camera like a meditation about the question of genre and a metaphoric introspective journey.

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